Rolf Martinsson serves as professor of composition at the Malmö Academy of Music and is a Fellow of the Royal Swedish Academy of Music.

The world premiere of “Bridge – Trumpet Concerto”, dedicated to and premiered by Håkan Hardenberger, led to the international scene and the concerto has been frequently performed since the premiere by the commissioner Gothenburg Symphony Orchestra/Neeme Järvi in 1999. Bridge was followed by a row of solo concertos, dedicated to a number of soloists and written with their special skills and personality in mind. “Fairlight – Trombone Concerto”/Christian Lindberg, “Cello Concerto”/Mats Lidström, “Shimmering Blue – Flute Concerto”/Magnus Båge, “Violin Concerto”/Jan Stigmer, “Concert Fantastique – Clarinet Concerto”/Martin Fröst, “Double Bass Concerto”/Dan Styffe, “Golden Harmony – Soprano Saxophone Concerto”/Anders Paulsson and “Soundscape – Horn Concerto”/Felix Klieser.

After the premieres the concertos have been picked up by other soloists: Bridge/Ole Edvard Antonsen, Giuliano Sommerhalder and Per Ivarsson, Fairlight/Jörgen van Rijen, Concert Fantastique/Magnus Holmander and Double Bass Concerto/Edicson Ruiz and Gunars Upatnieks.

The longstanding successful collaboration with Swedish soprano Lisa Larsson has led to major international commissions and premieres and marks a vocal milestone in Martinsson’s production. The revised edition for soprano of “Orchestral Songs on Poems by Emily Dickinson” initiated the collaboration that was followed by “To the Shadow of Reality” for soprano, solo violin and string quartet, “Garden of Devotion” for soprano and string orchestra and “Ich denke Dein...” for soprano and orchestra, jointly commissioned by Tonhalle-Orchester Zürich, Netherlands Philharmonic Orchestra, Philharmonia Orchestra, Helsinki Philharmonic Orchestra and Gothenburg Symphony Orchestra. The following collaboration “Into Eternity”, for soprano and large orchestra, was commissioned by Malmö Symphony Orchestra/Marc Soustrot for the inauguration of the new concert hall Malmö Live in 2015. Lisa Larsson has also been evangelist many times in Martinsson’s St. Luke Passion and she also had that role at the world premiere of the German version of St. Luke Passion, with Bach Collegium Zürich/Bernhard Hunziker.

Martinsson has been internationally recognized for his orchestration skills, and another important part of the collaboration with Lisa Larsson are his vocal arrangements. Lisa Larsson has created two unique concepts: “Traumreise”, on songs by Franz Berwald, commissioned and premiered by Tonhalle-Orchester Zürich/Lahav Shani and “Hommage an Clara”, on songs by Clara Schumann, commissioned and premiered by Malmö Symphony Orchestra/Juraj Valčuha, both pieces scored for soprano and orchestra and premiered by Lisa Larsson in Martinsson’s orchestrations. Additional orchestrations as part of the collaboration are: “Walzer-Gesänge Op. 6”/Alexander von Zemlinsky, “L'amerò sarò costante"/Wolfgang Amadeus Mozart, "Infelice"/Felix Mendelssohn and “Two Songs”/Wilhelm Stenhammar, orchestrated for soprano and orchestra. The collaboration also includes four composer portraits – at BIS, Challenge Records and Daphne labels.

The vocal repertoire has been picked up by other sopranos such as Elizabeth Llewellyn, Hanna Husáhr, Ivana Lazar, Hester Henzepeter and Kristine Nowlain. The mezzo-soprano version of Orchestral Songs on Poems by Emily Dickinson was written for and premiered by Anne Sofie von Otter, Malmö Symphony Orchestra and Vassily Sinaisky and Martinsson’s commission from the Cello Biënnale Amsterdam 2014 for soprano, cello and string orchestra was premiered by Lisette Bolle, Jakob Koranyi and Netherlands Chamber Orchestra under the direction of Bas Wiegers.

Another chapter in Rolf Martinsson’s writing is his orchestral works. “Dreams”, “Concerto for Orchestra”, “Open Mind”, “Shimmering Islands”, “Tour de force”, “Opening Sounds”, “Poem for Orchestra”, “Impression”, “Chamber Concerto No. 2” and the string orchestra pieces “A. S. in Memoriam”, “Kalliope” and “String Moments”.

Martinsson was featured composer at Stockholm International Composer Festival in 2008 and has been Composer in Residence with Netherlands Philharmonic Orchestra and Netherlands Chamber Orchestra at Concertgebouw and with Malmö Symphony Orchestra among others. His collaborations have led to performances in venues such as Carnegie Hall/New York, Musikverein and Konzerthaus/Vienna, Philharmonie and Konzerthaus/Berlin, Gewandhaus/Leipzig, Concertgebouw and Muziekgebouw/Amsterdam, Royal Festival Hall and Wigmore Hall/London, La Philharmonie/Paris, Salzburger Festspielhaus, and Suntory Hall, Opera City Hall and Metropolitan Art Space/Tokyo.

Rolf Martinsson's music is performed by orchestras such as Cleveland Orchestra, Pittsburgh Symphony Orchestra, Boston Symphony Orchestra, Detroit Symphony Orchestra, Melbourne Symphony Orchestra, BBC Symphony Orchestra, City of Birmingham Symphony Orchestra, Academy of St Martin in the Fields, Bamberger Symphoniker, Gewandhausorchester Leipzig, NDR Elbphilharmonie/Hamburg, Rundfunk-Sinfonieorchester Berlin, Deutsche Radiophilharmonie Saarbrücken-Kaiserslautern, Tonkünstler-Orchester, ORF Radio-Symphonieorchester Wien, Netherlands Chamber Orchestra, Amsterdam Sinfonietta, Scottish Chamber Orchestra, Stuttgart Chamber Orchestra, Avanti, Tapiola Sinfonietta, Sinfonietta Riga and all the major Nordic orchestras in collaboration with conductors such as Andris Nelsons, Manfred Honeck, Sakari Oramo, Alan Gilbert, Edward Gardner, Andrew Manze, John Storgårds, Jukka-Pekka Saraste, Klaus Mäkelä, Santtu-Matias Rouvali, Antonello Manacorda and soloists such as Hans Pålsson, Wissam Boustany, Peter Jablonski, Francisca Skoogh, Jacques Werup and Helen Jahren.

Martinsson studied teaching, music theory and composition 1975-1985 at the Malmö Academy of music, Lund University. His teachers among others were Brian Ferneyhough, Sven-David Sandström, Sven-Erik Bäck, Sven-Eric Johansson, Hans Eklund, Jan W. Morthenson and Sten Ingelf. In addition to being a devoted composer Martinsson is a dedicated chess player.

Rolf Martinsson has received the awards "Stora Christ Johnson-priset", "Rosenbergpriset" and "Litteris et Artibus". His music is represented at some 30 CDs. Several European orchestras have toured his music internationally and his works are frequently present at music festivals such as Robeco SummerNights at Concertgebouw, George Enescu Festival, Reingau Music Festival, Kissinger Sommer, International Chamber Music Festival Stavanger, Båstad Chamber Music Festival, Lyckå Chamber Music Festival among others. Future commissions include an opera, “Amy”, for the Royal Swedish Opera in Stockholm, a “Requiem” for Växjö Domkyrka among other commissioners and “Symphony No. 1” for the Royal Stockholm Philharmonic Orchestra.

ORCHESTRA

• Chamber Concerto No. 2

• Concerto for Orchestra

• Dreams

• Impression

• Open Mind 

• Opening Sounds

• Poem for Orchestra No. 1

• Shadowed Pitch

• Shimmering Islands

• Tour de force

• Variations for Orchestra

WIND ORCHESTRA 

• Wind Layers

CONCERTO

• Airy Flight

• Bridge - Trumpet Concerto

• Cello Concerto

• Concert Fantastique - Clarinet Concerto 

• Dawning Landscapes

• Double Bass Concerto

• Fairlight - Trombone Concerto

• Golden Harmony - Soprano Saxophone Concerto

• Shimmering Blue - Flute Concerto 

• Soundscape - Horn Concerto

• Violin Concerto

STRING ORCHESTRA

• A. S. in Memoriam 

• Kalliope

• Rondo

• String Moments

OPERA

• Amy

PASSION

• Lukaspassionen

VOICE AND ORCHESTRA

• Evighetsland

• Ich denke Dein... 

• Into Eternity

• Orchestral Songs on Poems by Emily Dickinson

• Silvernatten

• Vid tidens slut

VOICE AND STRING ORCHESTRA

• Forlorn

• Garden of Devotion

VOICE AND CHAMBER ENSEMBLE

• Garden of Chimes

• Gösta Oswald till minne

• Indiska sånger

• Japanska aforismer

• Japanska poem

• Rosen

• Septet for soprano and chamber ensemble

• Songs on Poems by Emily Dickinson

• Tag mig. – Håll mig. – Smek mig sakta.

• Tidig gryning

• To the Shadow of Reality

• Tre sånger

CHAMBER ENSEMBLE

• Carillon

• Clarinet Sextet

• Coloured Flames

• Duo for Violin and Cello

• Luminous Surface

• Monogram

• Quartet for oboe, clarinet, violin and cello

• String Quartet No. 1

• Suite Fantastique

• Suite for Woodwind Quintet

• Symbiosis

• Tics

• To the Point

• Triptyk

• Twilight

• Twins

• Whiz

SOLO

• Arpeggio

• Capriccio

• Exposé - Concert Fantasy

• Landscape

• New Colours

• Reflexer

PIANO 

• A. S. in Memoriam 

• Aquarius 

• Aries

• Gemini

• Leo

• Libra

• Pesces

• Prélude sans fugue

• Sagittarius

• Scorpius

• Taurus

• Virgo

ORGAN

• Chords and Bells

• Intermezzo

CHOIR 

• Clavis Paradisi

• Inspiration

• Månsånger

• Nattviol

• Tre miniatyrsånger

• Vid havet

• Vårsyn

• Öppna en väg

ORCHESTRATIONS

• From "Five Pieces in Folk Style, Op. 102" by Robert Schumann

• "Hommage an Clara" on Songs by Clara Schumann

• "Infelice" by Felix Mendelssohn

• "L'amero saro costante" by Wolfgang Amadeus Mozart

• "Songs" on Songs by Wilhelm Stenhammar

• "Traumreise" on Songs by Franz Berwald

• "Walzer-Gesänge Op. 6" by Alexander von Zemlinsky

Casey Moir is an Australian born, Swedish based vocal-artist, improviser, and composer of experimental music. Intrigued by unconventional sounds and extended techniques, the investigation into the multitude of sounding possibilities of the voice is central to her artistic practice. She also has a keen interest in discovering the sounding capabilities of objects, and the concept of space and room working often with the creation of spatial experiences.

With a Bachelor of Improvisation (2011) and a Master of Experimental Composition (2021) from the Academy of Music and Drama, Gothenburg, Sweden, she works both in the field of improvisation and experimental music as performer and composer.

* AIR (2023), 17min, for five voices, objects, movement, multi-channel fixed media, and room, premiered 5/11-2023 

* Eight Objects (2022), 15min, for solo performer, fixed-media, objects and performance, based on selected texts of Gertrude Stein (from Objects in Tender Buttons), premiered 10/2-2022

* Gertrude - This Happened (2021), 32min, for 5 voices, movement, objects and room, based on the complete texts of Gertrude Stein's play What Happened, premiered 3/12-2021 by Viva Vocal Ensemble.

* Whisperings (2021), min. 15min, for many voices, movement and room, premiered 3/12-2021 by Viva Vocal Ensemble and guests.

* MN (2021), ca.15min, for solo voice and effect pedals, premiered 28/9-2021.

* Boulevard (2021), ca.15min, for solo voice, premiered 28/9-2021.

* Modulations(2020), ca.15min, for 3-8 voices and room, 2021.

* Crackle Crunch Climate (2020), 13min, for objects, fixed-media, violin, cello, zither and room, premiered 30/9-2020 by Curious Chambers Players.

*Virus (2020), 4.57min, soud poetry for fixed media, premiered 7/6-2020

* Rotations and Slides (2019), 13min, for solo percussion, objects, effect pedals, spatialisation patches and 8 loudspeakers, premiered 14/1-2020.

* Outside In (2019), 31min, for 4 voices with effect pedals, 1 live electronics player and 12 loudspeakers, premiered 21/11-2019.

For several years I have been interested in how sound and space can relate with each other. How could the characteristics of a certain venue influence the composer's work and be implemented in the composition is a question that I tried to answer through several pieces as well as sound installations. I am particularly interested in venues which are not normally devoted to music performances such as museums, public buildings etc. whom architectures and acoustics could be musically exploited.

In the last four years I have gladly worked with writers and actors in projects where electroacoustic music, vocal performance and theatre could establish a hierarchy of equal importance. Between them can be named a radio-opera What's That? (with the support of SwedishArtsCouncil), a sound installation with one actress on the scene Babette – a dinner scene (based on Karen Blixen's Babettes Gœstebud) and Konvergens (funded by Kulturrådet, Kulturskåne and Författarfonden) for two actors, singer and electronics with live spatialization.

My work around space led my interest towards the open space of the city and the tradition of sound-walk. In my recent residences (InterArtsCenter at Lund University-Sweden and Tempo Reale, Florence-Italy) the soundscape of the cities of Copenhagen and Florence are morphed into compositions; the sound material, structure, poetry and impressions are derived from the recorded tracks. These residences are part of an ongoing project named Morphing the soundscape which aims to create a creative sound map of different cities in Europe.

I completed my music education in both Italy where I graduated in Piano, Organ and Composition at the "G.P. da Palestrina" Conservatory in Cagliari, and Sweden where I completed the master II in composition at the Lund University (Sweden) with Luca Francesconi.

I am currently organist in S.t Thomas church in Lund (SWE).

Useful link:

www.fabiomonni.com (personal website)

www.morphingthesoundscape.wordpress.com (ongoing project)

2019 –––––––––––––––––––––––––––

ESPOSTI AL LIBERO ASCOLTO for Choir, percussions, objects and electronic (28min) - commissioned by Ente Musicale Nuoro (IT)

2018 –––––––––––––––––––––––––––

A morphed soundscape of Florence for orchestra (10min)

Sospeso su una città di pietra II/b for tape (14min)

Sospeso su una città di pietra II/a for tape (10min) - commissioned by Tempo Reale (IT)

Morphing the soundscape project:

#Florence for tape and instructed listening experiences (32min) - commissioned by Tempo Reale (IT)

#Copenhagen for tape and instructed listening experiences (9min)

2017 –––––––––––––––––––––––––––

Della luce e dei suoi confini for tape (9min) - commissioned by Contemporanea Acusmatica, Udine (IT)

Konvergens for two actors, performer and tape (38min) - commissioned by Annika Nyman

Del buio e di altri luoghi for voice and tape (8min) - commissioned by Spazio Musica

mr potter 1am for objects, laptop and tape (4min)

2015 –––––––––––––––––––––––––––

What’s that? A radio-opera - dramat av Annika Nyman (32min)

2013 –––––––––––––––––––––––––––

Gloop-twice for trio, video and tape (13min)

POLI for orchestra (9min)

2012 –––––––––––––––––––––––––––

Den Tidlösa Gåvan short opera – libretto av Petra C Thyrvin (15min)

Ponti sospesi su uno stagno letterario for three percussionists (5min)

2010 –––––––––––––––––––––––––––

I sette messaggeri for alto and seven instruments (9min)

Clarinetist, composer and concert producer. 

Co-founding member of Ensemble Getögon - a Stockholm based new/art music collective.

Físeanna an Ghiorria - "Visions" (2023) - Órán Halligan [Piano]

Opaque Rhapsody - "Irish Holidays" (2018) - John Finucane [Clarinet] Elisaveta Blumina [Piano]

Annelie Nederberg is a composer and performer from Sweden currently based in the UK, pursuing an AHRC funded PhD in Musical Composition at University of Surrey. Annelie has a passion for the performing arts and composes for contemporary dance, theatre and film as well as acousmatic music. She also performs with her self-developed gestural feedback instrument and other electronic sounds. Her works move freely between concrete and abstract sounds, between music and sound art, with the human body as an important component; a confluence between voice and electronics into poetic and often slowly evolving sonorous shapes.

Annelie's music has been represented at ICMC; at festivals in the UK and internationally; on radio broadcasts in Europe and the USA; and in concerts in the UK and Sweden. She has been awarded numerous scholarships and is a member of the Swedish Society of Composers.

Swedish composer Daniel Nelson has worked extensively with orchestras such as the Swedish Radio SO, Orchestre National d’île de France, Trondheim SO, Royal Swedish Philharmonic, Nordic Chamber Orchestra, Manchester Camerata, Västerås Sinfonietta and several others in Scandinavia, Europe, and the United States. His Metallëphônic (2002) for tuba and orchestra has since its premiere been performed more than forty times around the world. Mr. Nelson’s music has frequently been recorded for radio broadcasts and CD’s. In addition, his orchestral fanfare Force of a Rainbow has been televised several times from the Swedish Radio SO:s annual Epiphany concert, and more recently by the Royal Swedish PO at their annual concert-in-the-green, an outside concert before an audience of 35,000 people. In 2011 his first opera, Pride and Prejudice, was premiered at the Vadstena-Academy summer opera festival to great critical acclaim as well as an enthusiastic audience response. Mr. Nelson has written a considerable amount of music for dance, amongst other may be mentioned #JAG with choreographer Christina Tingskog which was written for the Royal Swedish Opera in 2016, as well as the two-act ballet The Little Prince which was premiered by the Nordic Chamber Orchestra and Norrdans in 2015.

In 2015, Daniel Nelson received the Carin Malmlöf-Forssling Prize in composition from the Royal Swedish Academy of Music.

For Orchestra:

The Little Prince Suite - 2222 2200 010, strings, pno/celesta/toy pno. (dur: 25 min)

Steampunk Blizzard - 3*222 4231 110 strings (dur: 7 min)

Force of a Rainbow - 3233 4231, 131 strings, pno (dur: 4 min)

Orchestra w/ soloist:

Analytic Tales of Mechanical Movement - Double bass solo, strings (dur: 22 min)

Music Noir - Electric Viola solo, 2222 2200 020, strings, pno/cel, el-gtr, el-bass, electronics (dur: 25 min)

Metallêphônic - Tuba solo, 2222 2200 010 strings, pno/cel, el-gtr, el-bass (dur: 17 min)

Clarinet Concerto - Clarinet solo, 2222 2200 020, strings, pno/cel (dur: 19 min)

Chamber Music

Jewish Proverbs - string trio (dur: 25 min)

Lullabye variations - cello, double bass (dur: 9 min)

My Inner Disco - accordion, string quartet (dur: 9 min)

Woe to the Max (2024) för blockflöjt och orgel

Black white white black black (2024) för barnkör och piano, + version 2 för valfritt ackompanjemang

Ingensärskildstans (2023) för saxofonkvartett SATB

Abrovink IV (2023) stråkkvartett

En ljudande resa genom Sverige (2022) för saxofon, elbas och högtalare.

Abrovink III (2018) clarinet, accordeon

Abrovink I-II (2017) violin duo
https://soundcloud.com/jesper-nielsen/abrovink-i-2017 (pt I.)
https://soundcloud.com/jesper-nielsen/abrovink-ii (pt II.)

Mönstret i mattan (2016) orkester
https://soundcloud.com/jesper-nielsen/monstret-i-mattan-for-orchestra-excerpt

Tre bedrägliga canons (2013) två accordeon
https://www.youtube.com/watch?v=p19PrSiLnjA
En apelsin berättar (2016) berättarröst, violin och två slagverkare

När små barn gräver gropar (2014) gitarr solo

En månad av söndagar (2011) sopransaxofon och elektronik
https://soundcloud.com/jesper-nielsen/en-ma-nad-av-so-ndagar-linn

Alexandra Nilsson / Solovkina (b. 1979) is a composer, musician and performer based in Stockholm, Sweden

Her work stretches across acoustic and electroacoustic music, sound art, noise and performative practices. Lyrical as well as brutal, minimalist and maximalist, her art extends the very delicate and subtle expressions to the harsh and fierce. She researches materials aurally, visually and contextually, and she is interested in organic and non-organic processes and transformations and transcendence of the material. With a background as a trumpeter in jazz and folklore, energy movement, rhythm and improvisation are also important aspects of her practice.

In 2010 she received a Masters Degree in composition at the Royal College of Music in Stockholm. Her Master focused on music for film and she is continuously interested in interactions between sound and image and narrative aspects.

She has composed for chamber ensemble, Big band and orchestra, as well as for theatre, dance and film, and she collaborates on a regular basis with visual artists and musicians/performers internationally with performances in Sweden, Germany, Norway, Japan, Russia and Brazil.

She is a boardmember of SKAP and STIM and member of Fylkingen and works on a regular basis at EMS (Elektronmusikstudion) in Stockholm. 

Main projects / collaborations:

SISTERLOOPS - duo with stage artist Marie Gavois

SHAPES OF SOUNDS - duo with visual artist Jenny Soep

RADIO TWO - duo with trumpeter Susana Santos Silva

Född den 6 juli 1954 i Stockholm. Spelade i bandet ¨Östan Sol, Västan Måne¨ under 70-talet. Samtidigt bedrevs privata studier i piano och musikteori. Därpå följde studier på musikgymnasium och på Birkagårdens folkhögskola i komposition och kontrapunkt. Under tiden 1975-77 verksam som teatermusiker, kompositör/arrangör, samt kapellmästare vid Riksteatern och Stockholms Stadsteater. 
Under åren 1979-83 och efter studier för Hans Eklund studerade Anders Nilsson komposition på Musikhögskolan i Stockholm för prof. Gunnar Bucht. Andra viktiga influenser mottogs av gästlärare som Brian Ferneyhough samt av Luciano Berio (i Aix-enProvence). 
Från 1983 verksam som tonsättare. Mellan 1988-93 undervisade även i instrumentation på Musikhögskolan i Stockholm. Alltsedan 1993 återigen verksam som tonsättare på heltid. 
Debuten som tonsättare ägde rum 1981 då den första delen av ¨Trois pièces pour grand orchestre¨ uruppfördes under UNM-festivalen i Köpenhamn. 
Erhållit beställningar för framstående solister, ensembler och orkestrar i såväl Sverige som utomlands. 
Verk har erhållit priser i internationella kompositionstävlingar och i andra sammanhang, t.ex. utdelades det stora Christ Johnson-priset år 2000 för ¨Concerto Grosso I¨ 
Requiem erhöll 2011 Musikförläggarnas pris för Årets bästa komposition i kategorin för orkesterverk och opera.

Cellokonserten erhöll samma pris, för år 2020/21. 
Under 2003-2013 var komponerandet inriktat på musikdramatik. ¨Klassresan¨ till eget libretto, framfördes till invigningen av Operahögskolans scenteater i Stockholm 2003. Operan ¨Zarah¨ (libretto Claes Fellbom) som hade urpremiär på Folkoperan i september 2007, gjorde succé och sågs av 25.000. Den tredje operan, ¨Kira - i huset där jag bor¨ uruppfördes 2013. 

Sedan 2015 har komponerandet varit inriktat på orkestermusik, med bl.a. tre symfonier (nr. IV-VI), solokonserter, samt kammarmusik. 
 

Born 6th of July 1954 in Stockholm. Played in a band called ¨Östan Sol, Västan Måne¨ (East of Sun, West of Moon). Studied music at Birkagården Public High School in Stockholm 1973-75. Worked as a musician and composer/arranger at different theatre companies. Studied composition at the Royal Music College in Stockholm 1979-83 for prof. Gunnar Bucht, Arne Mellnäs, Brian Ferneyhough and others. Also from Luciano Berio which he met in Aix-en-Provence 1983. 
From 1983 working fulltime as composer. During 1988-93 also as a teacher in orchestration at the Royal Music College. Since 1993 again working fulltime as composer. 
Made the début as a composer with the first of the ¨Trois pièces pour grand orchestre¨ in Copenhagen during the UNM-festival 1981. 
Has recieved commissions for soloists, ensembles and orchestras both in Sweden as from abroad. 
The music has received prizes in competitions and also been awarded otherwise, f.i. with the grand Christ Johnson-award in 2000 for ¨Concerto grosso I¨. 
His Requiem was awarded by the Swedish Music Publishers Association as the Work of the Year 2011, in category for orchestral works. 

The Cello Concerto was awarded by the Swedish Music Publishers Association as the Work of the Year 2020/2021, in category for orchestral works. 
During 2003-2013 the creative output was set in the field of operas, both as a composer and author to libretto, as in the first opera ¨Klassresan¨, premiered at the inauguration of the theatre of the Opera College in Stockholm in 2003. The second opera ¨Zarah¨ (libretto by Claes Fellbom) was premiered at the Folkoperan in Stockholm in 2007 and was seen by more than 25.000 during the season. 
Third opera, ¨Kira-in the house where I live¨ was premiered 2013. 

During the last years 2015 - the creative output has been in orchestral works; three symphonies (IV-VI), solo concertos, chambermusic. 

Verk i urval (Selected works) : 

Orkester 
Aurora (1987) 11 solostråkar. MIC 
Aus Duino (1994) Mz, pf & kammarork. MIC 
Cadenze (1989) per orchestra da camera. MIC 
Jordens drömmar gröna (2006) - text: Torsten Pettersson - f. baryton och ork. MIC 
Mind the gap! Uvertyr (1997) MIC 
Sinfonietta (1992) MIC 
Symfoni I (1996) SR 
Symfoni II Symfoniska danser: Genesis; A lost Paradise; Apocalypse and Apotheosis (2000-01) MIC

Symfoni III - Orfeus & Eurydike (2015) MIC

Symfoni IV (2016) MIC
Symfoni V (2015) Manus

Symfoni VI (2019) Manus

Trois pièces (1980-83) pour soli, choeur, 

grand orchestre et bande magnetique (III). MIC 
Zarah-svit f. orkester (2008) MIC 
Requiem f. baryton solo, kör och orkester (2009-10) MIC 
 
Konserter 
Ariel (1985-86) oboe, strings and tape. CG 
Concerto grosso no. I (1995) sax quartet & orch. MIC 
Konsert för marimba och orkester (1998) MIC 
Konsert f. orgel och orkester (Sinfonia concertante) (1987-88) MIC 
Pianokonsert no. I (1997) MIC 
Orbit (Concert grosso no. II) (2002) 6 percusionists & string orch. MIC 
Violinkonsert (2011) MIC

Cellokonsert (2018) MIC
Kontrabaskonsert ¨Lost Birds¨(2018) MIC

Operor 
Klassresan - opera i en akt till eget libretto. (2002-03) dur. 60' MIC 
ZARAH - opera i två akter (libretto av Claes Fellbom (2004-06) dur. 125' 
Kira - i huset där jag bor (2012-13) (libretto av Charlotte Engelkes och Sophie Holgersson) dur. 45' MIC

Zarah gör comeback - sångspel f. två sångare och kammarens. baserat på operan Zarah (2024). Dur. c.a 60 min. MIC

Kammarmusik/ensemble 
Ballade f. eng.horn och piano (2004) Ed. Sthlm

• även i versioner för andra instrument.  
  Divertimento (1991) kammarensemble. ER 
  Krasch! (1993) saxofonkvartett  6 slagverkare och band. MIC 
  Lamento f. org. fl. and vcl. (2004) MIC 
  Pianotrio (1998) vl, vlc, pf. MIC 
  (även i version f. klarinett, vlc, pf. MIC)
  Phonetasy (2008) f.saxophone quartet (SATBar.) MIC 
  Kvartett ”The Angel” (1999) vl, cl, vlc, pf. MIC 
  The dance of the angel (1999/08) f. vl. cl. pf. ( arr. 3rd movement from ¨the Angel¨) 
  Reflections (1982) Three songs for sopr and chamber ensemble. ER 
  Serenade - Chamber Concerto (2000) vlc & wind quintet. MIC 
  Stråkkvartett I (2001) MK 
  Stråkkvartett II (2004) MK 

Stråkkvartett III (2023) MIC

Stråksextett ¨Höst¨ (2004)

Stråkoktett (2018) MIC
Sonat för violin och piano (2009) Ed. Sthlm
Fanfares för brasskvintett och brassansemble (2009) MIC 
Cellofantasie f. solovioloncell (2010) MIC 

Vokal 
Aria (1985/86) Soprano and organ. MIC 
Aus Duino (1994) Mz, pf & chamber orch. MIC 
Elegische Fragmente : a solo-cantata (1991) Mz, pf, live-elektronics/tape. MIC 
Jordens drömmar gröna (2006) - text: Torsten Pettersson - f. baryton och ork. MIC 
Reflections (1982) Three songs for sopr and chamber ensemble. ER 
Requiem f. bar., kör (SATB) och orkester 2009-10 MIC
Requiem (orgelvers.) (2024) MIC  

Kör 
Lux aeterna (1994) mixed choir, s-sax, org. MIC 
Requiem f. bar., kör (SATB) och orkester ( 2009-10) MIC

Requiem (orgelvers.) (2024) MIC 
Urworte, Orphisch bl. kör - text: Goethe - (SSAATTBB) 2009 MIC 

Slagverk 
Krasch! (1993) saxofonkvartett  6 slagverkare och band. MIC 
Orbit (Concert grosso no. II) (2002) 6 slagverkare och stråkork.. MIC 
Rounds (1996) marimba & 6 slagverkare. MIC 

Piano 
Fem orkestrala stycken för piano (1990) ER 
Les cloches de la nuit : Prélude (1987) MIC 
Résonance (1984) SUE 
 
Orgel 
Fanfare & Intrada (1996) MIC 
Lamento f. org. fl. and vcl. (2004) MIC 
Mountains (La cathedrale du mont) (1984) ER 
Partita (1992) MIC 
Wedding-Music & Appendix: Air (1989) MIC 

 

Orchestra 
Aurora (1987) 11 solostrings. MIC 
Aus Duino (1994) Mz, pf & chamber orch. MIC 
Cadenze (1989) per orchestra da camera. MIC 
Jordens drömmar gröna (2006) - poems by Torsten Pettersson - f. baryton och ork. MIC 
Mind the gap! Uverture (1997) MIC 
Sinfonietta (1992) MIC 
Symphony No. I (1996) MIC
Symphony No. II Symphonic Dances: Genesis; A lost Paradise; Apocalypse and Apotheosis (2000-01) MIC

Symphony III - Orpheus & Eurydike (2015) MIC

Symphony IV (2016) MIC

Symphony V (2017) Manus

Symphony VI (2019) Manus 
Trois pièces (1980-83) pour soli, choeur, 
grand orchestre et bande magnetique (III). MIC 
Zarah-suite f. orchestra (2008) MIC 
Requiem, f. bar. mixed choir and orchestra 2009-10 MIC 
 
Concertos 
Ariel (1985-86) oboe, strings and tape. CG 
Concerto grosso no. I (1995) sax quartet & orch. MIC 
Concerto for marimba and orchestra (1998) MIC 
Concerto f. organ and orchestra (Sinfonia concertante) (1987-88) MIC 
Concerto f. piano and orchestra no. I (1997) MIC 
Orbit (Concert grosso no. II) (2002) 6 percusionists & string orch. MIC 
Violin concerto (2011) MIC 

Concerto f. violoncello and orchestra (2018) MIC

Concerto for contrabasso and orchestra, ¨Lost Birds¨ (2018) MIC

Operas 
Klassresan - opera in one act (libretto by the composer (2002-03) dur. 60' MIC 
ZARAH - opera in two acts (libretto by Claes Fellbom (2004-06) dur. 125' 
Kira - in the house where I live (2012-13) (libretto by Charlotte Engelkes & Sophie Holgersson) dur. 45' MIC
Zarah does comeback - short version based upon the opera Zarah for two singers and chamber ensemble (2024). Dur. 60' (MIC)

Chamber music 
Ballade f. eng.horn and piano (2004) MIC 
Divertimento (1991) chamber ensemble. ER 
Krasch! (1993) saxofon quartet &  6 percussionists and tape. MIC 
Lamento f. org. fl. and vcl. (2004) MIC 
Pianotrio (1998) vl, vlc, pf. MIC 
Phonetasy f. saxophone quartet (SATBar.) (2008) MIC 
Quartet ”The Angel” (1999) vl, cl, vlc, pf. MIC 
¨The dance of the angel¨ f. vl. cl. pf. (2008) (arr. of 3rd movement of ¨The Angel¨) 
Reflections (1982) Three songs for sopr and chamber ensemble. ER 
Serenade - Chamber Concerto (2000) vlc & wind quintet. MIC 
String Quartet no.I (2001) MK 
String Quartet no. II (2004) MK 

String Quartet no. III (2024) MIC

String sextet, ¨Höst¨(Autumn) (2004)

String octet (2018) MIC
Sonata f. violin & piano (2009) MIC 
Fanfares f. brass quintet and brass ensemble (2009) MIC 
Cellofantasie f. violoncello solo (2010) MIC 

Vocal 
Aria (1985/86) Soprano and organ. MIC 
Aus Duino (1994) Mz, pf & chamber orch. MIC 
Elegische Fragmente : a solo-cantata (1991) Mz, pf, live-elektronics/tape. MIC 
Jordens drömmar gröna (2006) - poems by Torsten Pettersson - f. baryton och ork. MIC 
Reflections (1982) Three songs for sopr and chamber ensemble. ER 
Requiem, f. bar. choir and orchestra 2009-10 MIC 

Choir 
Lux aeterna (1994) mixed choir, s-sax, org. MIC 
Requiem, f. bar. choir and orchestra 2009-10 MIC 
Urworte Orphisch f. choir - poems by Goethe - (SSAATTBB) 2009 MIC 

Percussion 
Concerto for marimba and orchestra (1998) MIC 
Krasch! (1993) saxofon quartet &  6 percussionists and tape. MIC 
Orbit (Concert grosso no. II) (2002) 6 percussionists & string orch. MIC 
Rounds (1996) marimba & 6 percussionists. MIC 

Piano 
Five orchestral pieces for piano (1990) ER 
Les cloches de la nuit : Prélude (1987) MIC 
Résonance (1984) SUE 
 
Organ 
Fanfare & Intrada (1996) MIC 
Lamento f. org. fl. and vcl. (2004) MIC 
Mountains (La cathedrale du mont) (1984) ER 
Partita (1992) MIC 
Wedding-Music & Appendix: Air (1989) MIC 
 
Guitar 
Spegeln / Le miroir (1980) guitar. CG