Född 1970. Komponerar framför allt elektroakustisk musik men även kammarmusik. Tycker om att arbeta tillsammans med andra och har samarbetat med textilkonstnärer, koreografer, tonsättarkollegor, videokonstnärer, arkitekter m fl. Vid sidan av sitt komponerande har hon även bedrivit forskning vid University of East Anglia i England, med en doktorsavhandling inriktad på förhållandet mellan olika ljudspektra och skalor.

William Sundman Sääf föddes i Stockholm 1995 och studerade komposition 2014-2023 vid Gotlands tonsättarskola, Högskolan för scen och musik i Göteborg, privatstudier för Ylva Skog, och vid kungliga Musikhögskolan i Stockholm.
Han är lika mycket vissångare som tonsättare och låter konstmusiken och visan smitta av sig på varandra och har genom detta en säregen stil där utforskandet av repetition och återkommande formdelar, harmonik, klang och gestik i olika kombinationer och strukturer. 

Han är även en framstående uttolkare av Carl Michael Bellman och släppte 2023 sitt debutalbum "Sundman tolkar Bellman.

After the Great Wave and the Forgotten Songs (2022) 16” – Pno, vln1, vln2, vla, vlc
https://youtu.be/y5bk7Nslnyc?si=agyPzL_DQL4n5H_v

Form före funktion (2019) 10” - Viola & live-electronics
https://youtu.be/llrgvrVkyqQ?si=D5hPTE8j5ZHZTDjU

Folkvisa från Sundbyberg (2023) 9” - Orchestra – 3333 4331 4 1 str

Den gamla goda framtiden (2017) 16” - fl, cl, pno, vln, vlc, tape (stereo)
https://youtu.be/NgR0Od5mDVs?si=vDPTKIZLsL8OWyHO

Motstånd är sällan meningslöst (2021) 17” - fl, cl, hn, tbn, pno, vln, vlc, db, recitativ
https://youtu.be/mkgPJ-Mlujg?si=Ei4hzcSfZU4HhQSa

Olle Sundström is a Swedish composer, librettist, and poet.

He finished his bachelor degree in composition at Piteå college of music in 2014, and the subsequent masters degree at the Academy of Music and Drama in Gothenburg in 2016.

His teachers during this time were Jan Sandström, Johan Ramström, Ming Tsao, Ole Lützow-Holm, and Anders Hultqvist. He also participated in master classes with Salvatore Sciarrino, among others.

Olle’s works have been performed both domestically and abroad in Europe and South America, and he has worked with ensembles such as Norrbotten Neo, Norrköping Symphony Orchestra, The Swedish Wind Ensemble, Gothenburg Wind Orchestra, and Ensemble Kasa Invisível, to name a few.

His first opera ”Elden inombords”, to which he wrote both the libretto and music, premiered in 2022 at Estrad Norr and then toured through Sweden in the fall of the same year. 

Olle’s music is genre fluid and ranges from game pieces and graphic scores to strictly notated music and fixed media installations, and not seldom a combination of two or more of these elements.

Through his work with multimedia, cross-art collaboration, and his genre fluid compositional approach, Olle has worked with both classically trained musicians and jazz musicians, as well as dancers, poets, and actors.

Olle is, beyond his musical endeavors, also a poet and spoken word performer. He won the Swedish national championship in Poetry Slam in 2023, and held the title of Nordic champion in Poetry Slam 2023-2024, and is ranked among the top 25 best slam poets in the world as of 2025.

Anxiety Ridden (2023)

Multimedia piece for fixed media (video and music), 1 vocalist, 1 dancer.

Elden inombords (2022)

Chamber opera.

Gretchen vid spinnrocken (2019) 

For piano och soprano.

Holding Office (2018)

Game piece for any number of players (minimum of 3)

Omringad (2016)

For voice and electronics.

Vanishing Point (2016)

For symphony orchestra.

Punk Duet (2015)

For wind orchetsra.

Circles and Veils 2014

For chamber ensemble and solo soprano.  

Fabian Svenssons musik har beskrivits av New York Times som ”dazzling” och av Los Angeles Times som ”an odd merger of Bartók and Radiohead”. Han har en förkärlek för udda instrumentkombinationer, vilket märks i verk som Grind för två ukuleler, Melodica Madness för åtta melodicor, hi-hat och bas, samt Symphonies of Toy Instruments för tio multiinstrumentalister, som alla trakterar olika leksaksinstrument. I det timslånga verket Tillvaratagna effekter omdefinierar Fabian begreppet ”violinkonsert”, och låter fiolsolisten backas upp av två sopraninoblockflöjter, två melodicor, sex elgitarrer, två elbasar och timpani.

Fabian har arbetat med ensembler såsom Calder Quartet och grammy-belönade Eighth Blackbird i USA, Sentieri Selvaggi i Italien, Ensemble Klang i Nederländerna och Stockholms saxofonkvartett på hemmaplan. Hans musik har spelats i alltifrån obskyra garage till operahuset i Sydney, och har presenterats på festivaler såsom Stockholm New Music, Gaudeamus, MATA, SONiC, Carlsbad Music Festival och ISCM World New Music Days.

Clip Clop (3 stylofoner, leksakspiano, basmelodica, slagverk)

Nothing Happens (ackordeon och stråktrio)

Skvalp (2 melodicor och 2 elgitarrer)  

Exercises in Indulgence (piccolaflöjt, klarinett, melodica, trombon, violin, elbas) 

Twang (piano)   

Symphonies of Toy Instruments (10 multiinstrumentalister)   

I samexistens (saxofonkvartett och 4 elgitarrer)  

Toy Toccata (leksakspiano) 

Singing and Dancing (stråkkvartett)  

Grind (2 ukuleler) 

Speed Devils (4 elgitarrer) 

Two Sides (piccolaflöjt, basklarinett, vibrafon, piano, violin, cello) 

Tillvaratagna effekter (violinsolist, 2 blockflöjter, 2 melodicor, 6 elgitarrer, 2 elbasar, timpani) 

Fine (orkester)  

Melodica Madness (8 melodicor, hi-hat, ospecificerat basinstrument)  

Triathlon (altsax, barytonsax, trombon, slagverk, piano, elbas) 

Johan Svensson (f. 1983) är en tonsättare som är aktiv inom både den akustiska och den elektroniska musiken. Med en lika stor konstnärlig som teknisk ingång i kompositionsarbetet utforskar han alternativa sätt att producera ljud med elektroniska medel. Hans nuvarande fokus är att konstruera ljudskapande elektromekaniska apparater samt utforska olika relationer mellan musiker och maskin som kan uppstå i en livesituation. Flera av hans verk har en konceptuell utgångspunkt och är skrivna för en kombination av instrumentalister och elektroniska ljudkällor. Dessutom är visuella element, såsom ljus och koordinerade rörelser, material som han ofta arbetar med i sin musik. Svensson är konstnärlig ledare och en av grundarna av ensemblen Mimitabu.

Johan har studerat komposition på Universität für Musik und darstellende Kunst i Graz, på Norges musikkhøgskole i Oslo samt på Högskolan för scen och musik i Göteborg och på flera masterclasser och kurser som Darmstädter Ferienkursen für neue Musik och Impuls academy, med lärare såsom Klaus Lang, Pierluigi Billone, Beat Furrer, Asbjørn Schaathun och Ole Lützow-Holm.

Hans musik har framförts på MATA i New York, ULTIMA Oslo contemporary music festval, Nordic Music Days och Sound of Stockholm av bland andra Ricciotti ensemble (Amsterdam), Sveriges Radios Symfoniorkester (Stockholm), Norwegian Radio Orchestra (Oslo), Athelas Sinfonietta (Köpenhamn) och Stockholms saxofonkvartett. 

Real World Avatar for 1 human and 1 motorized percussionist  (2020-2022) dur: 22′ 

morendo for piccolo, clarinet, percussion, piano, violin, viola, cello (2022) dur: 10′ 

animation for keyboard, violin, cello, lights and samples (2020-2021) dur 12′

double dubbing (firefly song) for accordion, clarinet and 16 piezo buzzers (2019-2020) dur: 11′

pixilation for two keyboards, lights and samples (2019) dur: 10′
version for lights and samples (2020) dur: 10′

marionette for string instrument, electro-mechanical devices and lights (2018) dur: 15’30 

stop motion for percussionist, ensemble [piccolo/bass flute, oboe, trombone, violin, cello, double bass, 3 object players, keyboard], electro-mechanical devices[motors and vibrators] and lights (2018) dur: 20′

ampèrian loops – part III for piccolo/bass flute, bass clarinet, percussion, violin, cello, keyboard, vibrators [1 performer] and electro-mechanical devices [solenoids and transducers] (2017) dur: 14′

One Man Band for percussion, vibrators and air instruments [one performer] (2016-2017) dur: 16’30

fieldwalking for viola d’amore (2015) dur: 5’20

ampèrian loops – part II for piccolo/bass flute, bass clarinet, percussion, violin, cello, keyboard and electro-mechanical devices [solenoids, transducers and vibrators] (2015) dur: 16′ 

study for piano #1 (2015) dur: 4′
study for piano #2 (2015) dur: 4’30

Shiver for piccolo, tenor sax, trombone, percussion, piano, guitar, violin, cello and double bass (2014) dur: 16′

ampèrian loops – part I for bass flute, half clarinet, metal can, piano, violin, viola, cello and solenoids (2013) dur: 14′

diamond dust for bass flute, cello and piano (2013) dur: 5′

Down for violin and electronics (2012) dur: 9′ 

Bricks and waves for orchestra (2009-2012) dur: 8′

Rita cirklar for flute, percussion, piano, violin, viola and cello (2010) dur: 8′

Martin is a composer/arranger, producer & recording engineer based in Malmö, Sweden. As a composer Martin has been working with a wide range of styles throughout the years – from contemporary concert music to writing for commercials, film & TV. 

He writes mostly chamber music and been performed at festivals like ISCM and ICMC. 
 

• Drömmen (Bruno K. Öijer) - mixed choir
• Escape - solo flute 
• Fugue, and then some... - solo cembalo
• Reconstruction, concerto for flute and orchestra
• Strained - tenor recorder, trombone & cello
• Embyo – for large orchestra
• Bits & Pieces - chamber ensemble
• Chained, tenor recorder & electronics
• Miniatures for Charango & Bassflute
• The Art of War Noise, hörspel för 3 röster, elgitarr, slagverk, saxofon & elektronik 
• Triumpum Esse, kör & orkester efter Edith Södergrans "Triumf att finnas till". Invigningsmusik till Malmö nya Latin. 
• Mirage for alto guitar & electronics
• Livsgnistan (film score) 
• Yin/yang - piano
• Danse Macabre - string quartet

Född 1971 i Ystad. Tonsättarutbildad i Malmö för bland andra Hans Gefors, Rolf Martinsson och Kent Olofsson. På verklistan finns framförallt kammarmusik, men även musikdramatik, orkestermusik och vokalmusik. Mattias blev medlem i FST 1997 och är styrelseledamot sedan 2010. Mattias är utbildningsledare och lärare på Gotlands Tonsättarskola sedan år 2000 vilket gör att han också vurmar särskilt för utbildningsfrågor. Som representant för FST är Mattias suppleant i Stims styrelse, medlem i Stims bedömningskommitté och FST:s SPN-utskott (Stims Promotionnämnd), kontaktperson med UNM (Ung Nordisk Musik) samt styrelseledamot i VICC (Visby International Centre for Composers).

Born in Gothenburg, Sweden, in 1988, Simon became interested in writing music in hes teens. He started off his education at Gotland School of Music Composition and continued at Malmö Academy of Music, later also studying at the University of Music and Performing Arts, Vienna. He has studied with among others prof. Luca Francesconi prof. Detlev Möller-Siemens, prof. Bent Sørensen and prof. Rolf Martinsson. With music performed in countries like England, Austria, Germany, Iceland, Faroe Islands, China, USA, Kurdistan and of course Sweden, Simon can proudly present himself as an international composer and musician. He has worked with conductors like Brad Lubman, Paul Mägi and Michael Bartosch and among ensembles and musicians who has performed his music Brussels Philharmonic (BE), Malmö Symphony Orchestra (SWE), Ensemble mise-en (US), Norrköping Symphony Orchestra (SWE), CHROMA (UK), Béla Quartet (FR), Helsingborg Symphony Orchestra (SWE), Kreutzer Quartet (UK), Ensemble Nordlys (DK), Brusk Zanganeh (SWE/Kurdistan), includes just a few.

https://soundcloud.com/simon-sofelde/fugato-brussels-philharmonic-1

https://www.youtube.com/watch?v=BR1nuwXcZmw&ab_channel=incipitsify

Sound is central in Tally’s creations. Her music is a flow of playful contrasts where a sense of humour and poetic use of sound are blended to mix. Beside writing works for contemporary music scene, she has composed music for films. In recent years, importance of orchestral music has increased in her oeuvre. Mirjam Tally is also performer of electroacoustic music: she has a duo "Unejõgi" ("Dream river") together with Estonian folk musician Meelika Hainsoo. Elements of Estonian folk music are mixed with electroacoustic sounds, with influences of minimalism, glitch, drone and electronic pop.

She has graduated from the Estonian Academy of Music as a student of Lepo Sumera in 2000. Since 2006, Tally lives on the island of Gotland, Sweden. In 2009-2010, she was Composer in Residence at Swedish Radio P2 channel. In 2017, Tally was Composer in Residence at Studio Acusticum in Piteå and at Västerås Sinfonietta, Sweden. In 2018, Tally´s album "Interferences" won the Manifest prize in Sweden, in category "best experimental".

In 2009, Tally's orchestral work “Turbulence” was selected as one of recommended works at International Rostrum of Composers. She has received 2 prizes for her work “Turbulence” - the Composer Prize of the Estonian Music Days Festival (2007) and the small Christ Johnson Music Prize (2008) by the Royal Swedish Academy of Music. In 2021, she received the Carin Malmlöf-Forssling Prize by the Royal Swedish Academy of Music for “her rich and headstrong art that moves freely between different musical forms and expressions. As a composer, Mirjam Tally evokes a very special sound world, magical and at the same time captivating, where there are no limits to the creative joy and imagination”.

Tally´s music has been performed in over 20 countries, including festivals Mixtur in Barcelona, Spain (2013), Dark Music Days on Iceland (2006, 2016, 2017), Summartónar on Faeroe Islands (2008, 2017), The Venice Biennale's International Festival of Contemporary Music in Italy (2008), ISCM World New Music Days in Lithuania, Sweden and Croatia (2008, 2009, 2011), Nordic Music Days on Iceland (2011, 2016), in Finland (2013), and in London (2017), Sound of Stockholm (2010-13), Svensk Musikvår (2017), Geiger festival in Gothenburg, Sweden (2012); several festivals in Estonia.

Collaborations: Nordic Affect (Iceland), John Storgårds and Lapland Chamber Orchestra (Finland), BIT20 Ensemble (Norway),  Altera Veritas, Kaspars Putninsh (Latvia), UMS’n JIP (Switzerland), Marco Blaauw, New European Ensemble (The Netherlands), bassclarinetist and composer Jorge Variego (Argentina), flutist Anna Svensdotter, Swedish Radio Orchestra, Swedish Radio Choir, Eric Ericson Chamber Choir, Uppsala Chamber Orchestra, The Gothenburg Combo, trio ZilliacusPerssonRaitinen, 40f, Sonanza (Sweden) and others. She has collaborated with several musicians, choirs and orchestras from Estonia, most frequently with filmmaker Ülo Pikkov, conductor Risto Joost, flutist Monika Mattiesen and Kristi Mühling (kannel).

Turbulence (2006) for orchestra

Birds and Shadows (2008) for violin and string orchestra

Winter island (2009) for string trio or string quartet

Déja vu (2010) for kannel or harp and string orchestra

Density (2010) for orchestra

music for Ülo Pikkov's film Body Memory (2011)

New Moon Morning (2012) for flute quartet and tape

En strimma hav (2012) for mixed choir

Lament (2013) for orchestra

“Yellow Hat" (2013) soundtrack for Jesper Kurlandsky´s film of Virpi Pahkinen

“Land of tree worshippers” (2014) for mixed choir, tape and sound objects

“Warm life at the foot of the iceberg” (2014), versions for different instrumentations

Your shadow (2015) for mixed choir and tape

“Interferences” (2017) for Paezold contrabass recorder and tape; EAM versions

Andrea Tarrodi, born in 1981, is a Swedish composer based in Stockholm. She started playing the piano at the age of 8, and became interested in composition shortly thereafter.

Tarrodi studied composition at the Royal College of Music in Stockholm, Conservatorio di Musica di Perugia, Italy, and the College of Music in Piteå with, among other teachers, Jan Sandström, Pär Lindgren, Fabio Cifariello-Ciardi, Jesper Nordin and Marie Samuelsson. She completed her master´s degree in composition at the Royal College of Music in Stockholm in 2009.

In 2010 her piece Zephyros for orchestra received 1st prize in the Uppsala Composition Competition, which led to several performances of the piece by different orchestras around the world. 
During 2011-2013 Tarrodi is Sveriges Radio (Radio Sweden) P2´s Composer in Residence. A residence that includes, among other projects, commissions from the Swedish Radio Symphony Orchestra and the Swedish Radio Choir. In spring 2012 she was appointed "Composer of the Spring Season" in the Berwald Concert Hall. In the same year Tarrodi received the Swedish MPA:s Classical Music Award of the Year - chamber music for her piece Empíreo for strings, harp and percussion. During 2013-2014 Andrea Tarrodi is the Västerås Sinfonietta´s Composer in Residence.

Tarrodi writes for many types of ensembles, and is particularly interested in vocal and orchestral music. Her works have been performed by, among others, the Swedish Radio Symphony Orchestra, the Royal Stockholm Philharmonic Orchestra, the Gothenburg Symphony Orchestra, the Cape Philharmonic Orchestra, the Spartanburg Philharmonic, the Swedish Chamber Orchestra, the Malmö Symphony Orchestra, Västerås Sinfonietta, Eric Ericson´s Chamber Choir and the Swedish Radio Choir. Tarrodi´s music has been performed in the US, Germany, Austria, UK, Norway, Iceland, Serbia, Portugal, Italiy, the Netherlands, Turkey, Mexico, China, Australia and South Africa. Tarrodi's music has been represented twice at the Baltic Sea Festival.

Molly Teleman, born in 1982, is a Swedish composer based in Östergötland, Sweden. After brief studies in trumpet and violin as a child, she began piano lessons ten years old and singing in her teens. When she began a professional music high school she took on studies in composition for David Swärd. Piano playing and singing followed her, but composition became more and more prominent as time went on.

After piano and composition studies at folk high school, she studied composition and pedagogy at Music College of Ingesund, for Sverker Magnusson. She then left for Bergen, Norway and the Bergen University; the Grieg Academy. There Teleman studied composition for the late Morten Eide Pedersen. Guesting lecturers were among others Kaija Saariaho and Bent Sørensen. She completed her fine arts degree in composition in Bergen in 2007.

After her degree Teleman moved back to Sweden and studied other subjects as well, such as Culture Journalism, Creative Writing, History of Ideas and Literature. She has been active as a music and film critic in Östergötland since 2007, for news magazines such as Norrköpings Tidningar and ÖstgötaCorrespondenten.

Molly Teleman writes for all kinds of acoustic ensembles and is as yet particularly enthusiastic about choir and chamber music. Her works have been performed by Forsvarets Musikkorps, Unge Musikere, Musikaliska Sällskapets Kammarkör, Östgöta Kammarkör, KFUM:s Kammarkör, Oskarshamns Folkhögskolas Kammarkör, among others. Her music has been represented at the Borealis Festival and Sound of Stockholm.

She is a member of FST, STIM (The Swedish Performing Rights Society) and KVAST (for female composers).

…..

Molly Teleman, född 1982, är en svensk kompositör bosatt i Östergötland. Som barn spelade hon en kort tid trumpet och sedan violin, två instrument som hon övergav för att tio år gammal börja spela piano. I tonåren började hon även ta sånglektioner. När hon började på Musikgymnasiet DeGeer, en musiklinje med yrkesprofil, tog hon sina första kompositionslektioner för tonsättaren David Swärd. Hon fortsatte spela piano och sjunga, men komponerandet blev allt mer dominerande allt eftersom tiden gick.

Efter gymnasiet studerade Molly Teleman piano och komposition på Ingesunds Folkhögskolas Musiklinje, något som ledde vidare till kompositionsstudier på Musikhögskolan Ingesund för Sverker Magnusson. Efter fyra år i Arvika flyttade hon till Bergen, Norge, och Griegakademiet på Bergens Universitet. Hon studerade där för Morten Eide Pedersen i två år, med gästföreläsare som Kaija Saariaho och Bent Sørensen med flera. Molly Teleman tog sin bachelor i fine arts, composition 2007.

Efter examen återvände hon till sin hemstad Norrköping och studerade andra ämnen, som kulturjournalistik, idéhistoria, litteraturvetenskap och kreativt skrivande. Hon har varit aktiv som musik- och filmkritiker i Östergötland sedan 2007, i tidningar som Norrköpings Tidningar och ÖstgötaCorrespondenten.

Molly Teleman komponerar för alla akustiska ensembleformer, men är än så länge särskilt entusiastisk för kör och kammarmusik. Hennes musik har blivit framförd av ensembler som Forsvarets Musikkorps, Unge Musikere, Musikaliska Sällskapets Kammarkör, Östgöta Kammarkör, KFUM:s Kammarkör, Oskarshamns Folkhögskolas Kammarkör, bland flera. Hennes musik har dessutom framförts på Borealis Festival och Sound of Stockholm.

Hon är medlem i FST, STIM och KVAST.