Adrian Knight | Föreningen svenska tonsättare
Adrian Knight (b. 1987) is a Swedish composer and multi-instrumentalist. His work, which “paints a curious American landscape filled with nostalgia and decay, violence and melancholic solitude” (NewMusicBox), is characterized by its lush harmonic language, rhythmic plasticity, and startling unpredictability underpinning its ruminative surface. A musical polymath and tireless experimentalist, his compositions and recordings defy easy categorization and attest to his pursuit of an entirely intuitive music rooted in an ongoing examination of symmetry and structure as spontaneous elements of our brains’ vocabulary. Knight’s scores are published by Project Schott New York and Svensk Musik.
Recent projects include the albums Mall Music (Pink Pamphlet) including solo and ensemble works from 2010-2020, Life of the Party (Pink Pamphlet), Damn the Flood (Regional Attraction), the evening length Idea to Life (Success Stories)commissioned by The Living Earth Show, and Twinlings for two pianos. Works for Longleash and Timo Andres are currently in production. The sophomore album by San Francisco’s Mobius Trio, also released in 2019, featured Knight’s composition Bon Voyage as its title track. His album length piano piece Obsessions, commissioned and recorded by R. Andrew Lee, was lauded as “a substantial achievement” (New York Classical Review), “gorgeous, haunting” (The Brooklyn Rail) and “quietly eccentric…enigmatic but irrefutable” (Musikworks Magazine).
Previous commissions by The Living Earth Show, Andy Meyerson, Karl Larson, Maya Bennardo, the Johnstone Foundation, Bearthoven, TIGUE, Post:ballet, the Yale School of Drama, Margaret Lancaster, Norfolk Chamber Music Festival and others have resulted in a sizable collection of works for diverse instruments, many of which have become mainstays of the ensembles’ repertoire.
His music has been presented worldwide at prominent venues and festivals including Spoleto Festival, Lincoln Center, Tribeca New Music Festival, Mass MoCA, (le) Poisson Rouge, Issue Project Room, Avant Music Festival, Norberg Festival, Roulette, Fylkingen, Audiorama, EMPAC, Toledo Museum of Art, Tokyo University of the Arts and at numerous universities and colleges across North America.
His recordings have been released on Cantaloupe, Irritable Hedgehog, Innova, Galtta Media, Thanatosis, Slashsound and Perfect Wave, and have been featured on New Sounds WNYC, ClassicalMPR, WFMU, Resonance FM and NTS Radio to name a few.
He has received numerous awards and grants from the Society of Swedish Composers, STIM Sweden, ASCAP and the Royal Swedish Academy of Music. Knight holds degrees from the Yale School of Music (M.M. 2011) and The Royal College of Music in Stockholm (B.A. 2009).
In addition to his compositional work, Knight is an accomplished studio musician and and an active member of several groups, including Blue Jazz TV, Alice Cohen and the Channel 14 Weather Team, Private Elevators and Synthetic Love Dream. His steady output of solo albums released on Galtta Media has generated a dedicated following in the underground cassette community. He lives and works in Brooklyn, NY.
Master of Music
Yale School of Music
Bachelor of Music
Royal College of Music in Stockholm
Music Engraving, Music Editing
Schott Music Corporation
Yale College Department of Music
2020 FST (Society of Swedish Composers)
2020 STIM Sweden
2018 FST (Society of Swedish Composers)
2015 FST (Society of Swedish Composers)
2013 FST (Society of Swedish Composers)
2012 Musikens Hus Vänner Uppsala
2012 Minnesota Orchestra Composer Institute
2011 STIM Sweden
2011 ASCAP Morton Gould Award for ‘Comblé’
2010 ASCAP Mortn Gould Award for ‘Manchester’
2010 STIM Sweden
2008 Royal Swedish Academy of Music
2005 Royal Swedish Academy of Music
God's Children (4sax, 2fl, 2cl, vib, epno, pno)
Sometimes I dream (vib, 17')
Twinlings (2pno/elpno, 15')
Idea to Life (alto sax, el gtr, perc, Rhodes/synth, 67')
The Continuing Dream (pno, perc, 60')
Five Dreams (vln, pno, 9')
The Ringing World (perc, pno, db, 8'30")
Occultations (3 perc, 45')
The Royal Scotsman (el gtr, sax, pno, perc, ∞)
Dead in the Water (b fl, electr, 8’30”)
Obsessions (piano, 50’)
Humble Servant (perc, 9’)
Bon Voyage (gtr trio, 7’)
Long Gone John (electr, 4’33”)
Family Man (el gtr, perc, 18’)
Trio (vln or vla, vc, pno, 5’30”)
Ted Bundy’s Requiem (electr, 8’)
Comblé (orchestra, 18’)
The Tears (harp, electr, 9’)
The Dividing Line (sound/video installation, ∞)
Till Minne Ave (4 vln, 4 vla, 4 vc, 4 db, 20’)
Death of Paneloux (piano, 7’)
Manchester (orchestra, 15’)
Abide with me (pno, 10’)