Henrik Denerin was born in Sweden in 1978. His education includes a bachelor and a master degree in Composition with prof. Luca Francesconi, prof. Rolf Martinsson, Staffan Storm and Kent Olofsson at Malmö Academy of Music as well as studies with Karlheinz Stockhausen and workshops with Brian Ferneyhough, Mathias Sphalinger, Per Nørgård, Bent Sørensen and musicologist Richard Toop among others and participation in Donaueschinger Musiktage in the student program “next generation”.
At concerts he has collaborated and received commissions from ensembles and orchestras such as Ensemble Recherche, Ensemble Aleph, Vertixe Sonora, Ensemble Hakata, Musica Vitae String Orchestra, Norrköping Symphony Orchestra, Helsingborg Symphony Orchestra, Bit20, Lucas Fels, Moritz Müllenbach, Alice Purton, Visual Artist Thomas Marcusson…and many others.
His music has been played at festivals and venues like Darmstadt Summer Courses, Nordic Music Days, Festival d’Aurjourd’hui à Demain (Cluny),Théâtre Dunois (Paris) Mixtur Festival, ISCM festival (Poland), Musiktage Ligerz, Melbourne International Arts Festival, Australian Tour with the work Stadium, Summer Festival at Faroe Islands, Stresa Festival, Nordic Tour with the work MNEMONEUEIN with Six Tones, Sound Around Festival – and many others.
Radio broadcasts include SR (Sweden), RAI (Italy), ABC (Australia), SWR & HR(Germany), Radio France, YLE (Finland), Brazilian and Siberian radio.
Aside of composition, he has also studied Mathematical Philosophy at Ludwig-Maximilians Universität – München and the Chinese language and philosophy and has a big interest in modern philosophy and languages in general.
Beyond the Quintessential Quincunx (gtr, bass cl, vln, sound objects), 2016
monade (diskontinuierliche Endlichkeit) (A-clarinet, piano, cello), 2015
seals I (version for violin solo and ensemble), 2015
verzeitlichung for ensemble (cl, pno, vln, vla vlc), 2015
Rhizom for ensemble (fl, sx, perc, pno, vlc), 2014
Wir Kinder der Hölle (sx, trb, pno, vlc, cb) * part 4 of Cycle I from synthetic fragments, 2014
Das Ende eines Wintermärchens for ensemble (cl, perc. pno, vln, vla, vlc, cb) * part 3 of Cycle I from synthetic fragments, 2014
Unhörbares hörbar machen (part I) for orchestra, 2013
fluchtlininen-D - (flute, percussion), 2015-16
seals II (cello, soprano or cello solo) * part 4 of Cycle III from synthetic fragments, 2015
fluchtlininen - (flute solo), 2015
land – erosion (pno solo), 2014-15
seals I (version for violin solo) * part 1 of Cycle III from synthetic fragments, 2014
zeit-raum (the time within/passage-plateau-with variation) for piano, 2010
Decorated Zither for 6 male voices or male choir, 2019
Unhörbares hörbar machen (part II – Hyōshiawazu (拍子不合)), 2013